I wrote about our play Abortion Road Trip for Breaching the Fourth Wall, a blog about the intersection of theatre and law. We have three more shows happening this week.
Plays like Abortion Road Trip use theatre as a means to start conversations about these complex issues. In my eyes, theatre as a platform is most successful when reflective of the greater issues affecting our society, bringing to life these human stories and driving them further into our collective consciousness. As artists, we have a responsibility to imbue our work with truth and relevancy that can resonate with a range of audiences—that is the power of theatre. And that is the power of Abortion Road Trip.
Felt compelled to share this excellently-written piece by my friend Kaiya Lyons on her new blog about the intersection of art and law.
Although it’s entirely legal, the corporations’ readiness to pull out their funding evokes an ominous vision of the theatre community’s future. Especially considering the Trump administration’s proposed elimination of the NEA, corporate sponsorship of the arts in the Trump era is likely to be paramount to sustaining our country’s strong commitment to artistic freedom and, ultimately, free speech. Without active public funds going to the arts, it will fall upon corporations and individuals to prevent the chilling of artistic expression and political speech, which is “indispensable to the discovery and spread of political truth” and essential to thwart tyranny and corruption.